Inhaltsbereich
Rita McBride (* 1960, Des Moines, Iowa, U.S.A.)
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1982 |
BA, Bard College, Annandale-on Hudson, NY |
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1987 |
MFA, California Institute of the Arts, Valencia |
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1989 |
Artist in Residence, Carson City, NV |
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1991-92 |
American Academy in Rome, Rome Prize Fellowship in Visual Arts, Rome |
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1995 |
Artist in Residence, Fundacio Pilar i Joan a Mallorca, Palma |
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1999 |
DAAD Residency, Berlin |
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2002 |
World Trade Center Competition, Skidmore, Owings & Merrill team |
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Guggenheim Memorial Foundation Fellowship |
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Cultural Board of the City of Hamburg Residency |
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The artist lives and works in Düsseldorf. |
Selected Solo Exhibitions
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2007 |
Rita McBride: Mae West and the Hyperbolic Parabola, Galerie Klüser 2, Munich, |
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Germany |
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Rita McBride: Civic Sculpture in memoriam, Museum X, Museum Abteiberg, |
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Mönchengladbach, Germany |
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Rita McBride, Alfonso Artiaco, Naples, Italy |
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2006 |
HEX.PRO.JIG, Annemarie Verna Galerie, Zürich |
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Double to Watch, Triple to Help, Alexander and Bonin, New York |
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2004 |
Rita McBride: Exhibition, The Sculpture Center, Long Island City, NY |
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Middle Managers/Self-Storage, Frehrking Wiesehöfer, Cologne, Germany |
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Mae West and the Middle Managers, Mai 36 Galerie, Zürich, Switzerland |
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CH-8873 Amden, one day performance at CH-8873, Amden, Switzerland |
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No Fixed Address, Artspeak, Vancouver, BC |
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2003 |
Vehicles and Vessels, Alexander and Bonin, New York |
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2002 |
Servants and Slaves, Annemarie Verna Galerie, Zürich, Switzerland |
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General Growth, Institut d'art contemporain, Villeurbanne |
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Naked Came the Stranger, Kunstmuseum Liechtenstein, Vaduz |
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2001 |
472 New Positions, De Pont Foundation for Contemporary Art, Tilburg, The |
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Netherlands |
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White Elephant and Albatrosses, Alexander and Bonin, New York |
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Machines, Mai 36 Galerie, Zürich, Switzerland |
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2000 |
Secession Tower, Wiener Secession, Vienna, Austria |
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Werkshow, Staatliche Kunsthalle Baden-Baden; Neuer Aachener Kunstverein, |
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Aachen, Germany |
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Her House with the Upstairs in it, DAAD Galerie, Berlin, Germany |
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1999 |
National Chain, galerie deux, Tokyo, Japan |
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Aloof and Incidental, Annemarie Verna Galerie and Mai 36 Galerie, Zürich, |
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Switzerland |
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Rita McBride & To Be Announced, Kunstverein München, Munich (presented as |
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part of the ongoing Damenwahl exhibition series, Siemens Kulturprogramm), |
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Germany |
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1997 |
Arena & National Chain, Witte de With, Rotterdam, Netherlands |
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Rita McBride, Alexander and Bonin, New York |
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Hyperinclusion, OSMOS, Berlin, Germany |
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The Donkey's Way and Piggybackback (in collaboration with Catherine Opie and |
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Lawrence Weiner) Galeria Pedro Oliveira, Porto, Portugal |
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1995 |
Gilded Carriages and The Donkey's Way and La Concierge (in collaboration with |
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Hsin-Ming Fung), Margo Leavin Gallery, Los Angeles |
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1994 |
Backsliding, sideslipping, one Great Leap and the “forbidden”, Michael Klein |
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Gallery, New York |
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Fatal Egg, Ausstellungsbuero Michael Schill, Stuttgart, Germany |
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1993 |
Wise women caught breathing, Studio Galeria, Budapest, Hungary |
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There would be no leaves to rake on Sunday, Margo Leavin Gallery, Los Angeles |
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The Fat Man, The Spine, The Spineless and Thin Corners, Michael Klein Inc., |
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New York |
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Parts, Des Moines Art Center, Des Moines, IA |
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1990 |
Rita McBride: New Work, Margo Leavin Gallery, Los Angeles |
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1989 |
Rita McBride, Galeria Atlantica, Porto, Portugal |
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Men to Match My Mtns., XS Gallery, Carson City, NV |
Selected Group Exhibitions
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2007 |
Rita McBride/Glen Rubsamen: Hyperbolic Parabola, Galerie Bernd Klüser, |
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Munich, Germany |
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New Tribune, General Public, Berlin, Germany |
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Triennale Fellbach, Germany |
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Mimetic, Centre d’art de l’Yonne, Communs du Château de Tanlay, Yonne, |
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Bourgogne, France |
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Pure, Sean Kelly Gallery, New York |
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Exit Music (for a film), Grimm/Rosenfeld Gallery, New York |
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2006 |
Plane Figure: American Art in Swiss Private Collections and from the |
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Kunstmuseum Winterthur, Kunstmuseum Winterthur, Switzerland |
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Neue Kunst in Alten Garten 2006, Gehrden-Lenthe, Germany |
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RE: LOCATION, Alexander and Bonin, New York |
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Próximas exposições, Galeria Graça Brandão, Porto 2005, Portugal |
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2005 |
Farsites/Sitios Distantes, San Diego Museum of Art; Centro Cultural Tijuana |
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CECUT |
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2004-05 |
raumfürraum, Kunsthalle Düsseldorf, Germany |
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2003 |
Micro-Utopias, Bienal de Valencia, Spain |
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Living Inside the Grid, New Museum of Contemporary Art, New York |
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2002 |
Think Big/Voir grand, Liane and Danny Taran Gallery, Saidye Bronfman Centre for |
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the Arts, Montréal, Canada |
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2002 Taipei Biennial, Taipei Fine Arts Museum, Taiwan |
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Building Structures, P.S.1 Contemporary Art Center, Long Island City, NY |
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Artists Imagine Architecture, Institute of Contemporary Art, Boston, MA |
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Through a Sequence of Space, Galerie Nordenhake, Berlin, Germany |
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2001 |
Archisculptures, Kunstverein Hannover, Germany |
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Crossing the Line, Queens Museum of Art, New York |
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2000 |
Rita McBride, Julius Schulman, Adamski Frehrking Wiesehöfer, Cologne, |
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Germany |
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HausSchau; das Haus in der Kunst, Deichtorhallen, Hamburg, Germany |
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What if; Art on the Verge of Architecture and Design, Moderna Museet, |
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Stockholm, Sweden |
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Please Let my Affections Lead me into Danger, Galerie Bernd Klüser, |
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Munich, Germany |
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Over The Edges-The Corners of Ghent, Stedelijk Museum Actuele Kunst, |
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Ghent, Belgium |
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1999 |
Urban Visions: Rita McBride, Marjetica Potrc, Sophie Tottie, The Worcester Art |
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Museum, MA |
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1998 |
Architecture! Architecture! Architecture!, Hunter College/Times Square Gallery, |
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Hunter College of the City University of New York |
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Where: Allegories of Site in Contemporary Art, The Whitney Museum of American |
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Art at Champion, Stamford, CT |
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Travel and Leisure, Paula Cooper, New York |
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Architecture & Inside, Paul Morris Gallery, New York |
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Corpos em Trânsito, Galeria Pedro Oliveira, Porto, Portugal |
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1997 |
Structures: Buildings in American Art, 1900-1997, John Berggruen Gallery, San |
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Francisco |
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1996 |
The Bare Wall, Michael Klein Gallery, New York |
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Büro Orange, Siemans Kultur Program, Munich, Germany |
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1995 |
25 Years, Margo Leavin Gallery, Los Angeles |
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tu parles-j'ecoute, Galerie Anne de Villepoix, and Societe Jet LagK., Paris, France |
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Critical Distance: Between Art and Architecture, Neuberger Museum, SUNY, |
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Purchase, NY |
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Call it Sleep, Witte de With, Rotterdam, Netherlands |
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1994 |
Watt, Witte de With, Rotterdam, Netherlands |
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Romance, Alyce de Roulet Williamson Gallery, Art Center College of Design, |
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Pasadena, CA |
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Breakdown, Museum of Contemporary Art, San Diego, CA |
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1993 |
How Long Can a Good Thing Last, Channing Peake Gallery Santa Barbara, CA; |
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Santa Monica Museum, CA |
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Everything that gave her pleasure was small and depressed him, Knoll Galeria, |
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Budapest, Hungary |
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One Complete Hand of One Suit, Donna Beam Gallery University of Nevada, Las |
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Vegas |
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1992 |
Once Removed, New Langton Arts, San Francisco |
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The Language of Flowers, Paul Kasmin Gallery, New York |
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Annual Exhibition, American Academy in Rome, Italy |
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1991 |
Western Agenda, Artists Space, New York |
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there's no there, there, Indianapolis Museum of Art |
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Different Thinking, Galerie Ghislave, Paris, France |
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Sculpture, Margo Leavin Gallery, Los Angeles |
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Preview, Michael Klein Inc., New York |
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1989 |
Containment, XS Gallery, Carson City, NV |
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1988 |
Re: Placement, Los Angeles Contemporary Exhibitions |
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1987 |
Group Show, (curated by John Baldessari), Jeffrey Linden Gallery, Los Angeles |